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3 Women
3 Women


Dir.: Robert Altman
Cast: Shelley Duvall, Sissy Spacek, Janice Rule, Robert Fortier, Ruth Nelson
Genre: Drama


"The cinema," Orson Welles famously noted, "is a ribbon of dream." "3 Women" is one of few feature films on record as having taken form "in" a dream. The dreamer was Robert Altman, and although all his best work has an oneiric quality--the floaty zooms, the eerie pastels bleeding into one another, the slip and slide of characters' trajectories overlapping in the fluid accumulation of what passes for narrative--this last masterpiece in his amazing seven-year run of 1970s masterpieces is only more so. Shelly Duvall, that most unorthodox of Altman creatures, locks in the tone with her eerie portrayal of Millie Lammoreaux, a Texan hoyden whose nonstop prattle turns life into a stream-of-consciousness reverie even as most of the people in her vicinity studiously ignore her. Her primacy is worshiped, then emulated by a strange, certifiably dysfunctional childwoman named Pinky Rose (Sissy Spacek) who comes to work in the same old-age home as Millie, moves in with her, and progressively usurps her lifestyle and finally her identity. The third woman, Willie (the late Janice Rule), is a pregnant artist who paints reptilian humanoid figures on the floors of swimming pools. Willie's husband (Robert Fortier), a strutting gun nut who once had a bit part on TV's "Wyatt Earp" ("He knows Hugh O'Brian"), is just about the only male character of consequence in the film. This macho man gets his--but what "his" may be is only one of the movie's beguiling mysteries. It's only appropriate that the cameraman, Chuck Rosher, should be the son of the man who photographed F.W. Murnau's "Sunrise". "--Richard T. Jameson"

Country: USA
Year: 1977
Availability: DVD


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